Tuesday, November 25, 2014

Boomer - Class of 55

Nurture, nature, the cards were dealt, character, context, choice, chance; In 1955 the year of my birth the distinct 1950s mood of post war austerity could be likened to an itchy uncomfortable demob suit and progress nibbled away at its crotch and its seams like moths until at last it was no longer serviceable and fell off the hanger useless but for dishcloths. I didn't see a television until I was about four or five and when I did it had only one channel in black and white and programs didn't start until about 4 pm finishing god knows when past my bedtime with closedown an abrupt and joyless puritan causing worlds to diminish to the disappointing dot in the centre of a grey screen accompanied by a high-pitched wine that felt redolent of some psi-ops sonic weapon.  At the national anthem which followed members of the older generation required one to stand stiffly to attention until it finished. Life was about brown leather lace-up shoes and brussel sprouts and if one embarked on an excursion to the sea-side it would be in a coach still known as a charabanc and there would be a stop for lemonade at "The halfway house" followed by communal singing at the back on the latter part of the journey. If travel was by car it would reek of petrol to the point of causing car-sickness and an iron handle was required to be inserted front-central to turn over the engine and get it started. Even living as we did close to the Great West Road I assiduously along with all other small boys collected car registration numbers, writing each one down carefully in a small notebook.
All males were expected to dress and behave like Trevor Howard and only damp wool clothing that itched was allowed to be worn. The very peak of interior luxury was to fill ones house with loud plumbing configurations which belched loudly and made knocking noises whilst rigeur pour tous-les-gens was to have floor covering of freezing lino set off by threadbare central carpet positioned beyond reach of bed or bath or anywhere from which one attempted to launch bare feet.
 There was no radio just the "Wireless" and the music that I heard tended to be selections from "Oklahoma" and "Teddybears picnic".
One early memory was accompanying my mother to the High street and Clarke's shoe shop to be fitted with a pair of "Start-Rite" sandals; the shop was equipped with an ambitious typically 1950s "Quatermass" type piece of technology designed no doubt with all good intentions but in retrospect and in view of the fact that the installation was short-lived potentially highly dangerous. It resembled a static Dalek into which one's shoe-clad feet  were inserted at floor level, one peered through a small rectangular screen to see a luminous green x-ray of the bones in one's feet encased in the ghostly outline of leather shoes. Health and Safety was but a twinkle in a future bureaucrat's eye at the time and the probability of irradiation and its consequences had yet to be considered.
When I remarked in passing to a Whitechapel neighbour that I had two sisters of four and five years older than myself she replied "hag ridden were you?" not my choice of words exactly but certainly a remark loaded with insight. We had little in common except through the routines and ceremonies of unavoidable family life; they kept to each other for company and regarded me as a nuisance to be ignored whenever possible and early memories include the pair of them running to lock themselves in and  hide in the upstairs lavatory when their piano teacher turned up at the front door a response depriving me of music lessons and the subsequent loss to posterity. Bathtime forced us into an unwilling proximity with deafening clamour to be situated "at the tap-end". They disapproved of my propensity to wander around the back garden picking up the wriggling pink earthworms which I secreted in the pockets of my shorts from whence they would be duly removed by my mother desiccated and flattened having been steam ironed.
The two older girls were a constant presence but I can remember no sense of empathy or kinship only an iredeemable "otherness'. An abiding resentment derives from being observed by the younger of the pair as I struggled up onto the cork-topped bathroom stool to reach the mirrored door of the wall cabinet. I was engaged in guzzling down a quantity of orange flavoured junior aspirin when she ran screaming from the room calling my mother who moments later was forcing a glass of salty water to make me puke and leaning over  the bathroom sink I watched small fuzzy orange blobs slide down the cold white porcelain towards the plughole. She was pre-empting Nancy Reagan's "just say No!" by some twenty five years at least.
I recall around that time there was a sensation because a little black girl had been adopted by nearby neighbours would stand motionless quite naked at an upstairs window for all to see, a confused child seeking attention.
I have no memory of it but my father had a motor-bike at that time and would ride it up to Hyde Park corner to evangelise the idle crowd, preaching the gospel from an orange-box pulpit. There was a local parishioner called Mr Really who worked in the fossil department at the Natural History Museum. He presented me with sliced and polished ammonites and lead us, the three year old boy and thirty five year old father on fossil hunts at a local gravel pit.
My father's family hailed from Yorkshire while he had been borne just across the border in Derbyshire shortly after which Grandfather Tom transported his family to the outskirts of Belfast where his sons would not face a lifetime working in the pits. He built up a thriving market garden and grew tomatoes under glass, after they were married my parents lived for a short while in Antrim.  From three years old I retain vague images of a family holiday in  Northern Ireland which we reached via a boat-train and the huge steam-engines at Liverpool, stentorian clanking gushing huge clouds of smoke and steam. The rectory where we stayed was served from a well by a pump the iron handle of which had to be vigorously worked. There were visits to friends living in whitewashed farms where they kept goats and drives out to the surrounding hills, once down across the border into Eire with the Mourne Mountains slumbering deep mauve in the far distance. My father leading our car-borne chorus in the song of the same name, "Slattery Mountain Phut", "The Sash My Father Wore", songs which by the troubles of the 70s were problematical and resigned to the past.
At about four years old a career development prompted a move to Hounslow, Middlesex and into a pebble-dashed semi-detached house. We didn't stay there very long and my most abiding memory is of lying in bed boring holes into the wallpapered soft plaster walls. The man next door across the black creosoted fence kept pigeons which would wheel around the rooftops before flying down and settling into their lofts.
About that time my parents and close college pal of father's plus family decided on sharing a cottage in Cornwall for the Summer holiday and after an interminable train journey we arrived at a one story cottage opposite Widmouth bay near Bude on the North Coast. The beach is broad and sandy with a gentle slope and I was hardly out of the water learning how to catch waves and surf in on a plywood skimmer board. This was the occasion of absolute innocence and my unwary capture on film unclothed with my back to the sea and eyes and mouth wide agape at the freshness of it all.  This was all before "The Fall"

Saturday, November 22, 2014

Peter Doherty's journey through addiction to redemption - The Saga, Whitechapel.

Pete Doherty: To anyone struggling with addiction, just hang on – for more than ten years I've been powerless, but there's a way out

This is the first time I've chosen rehab for myself, and got clean. Now I want to help others do the same

http://www.independent.co.uk/voices/comment/pete-doherty-to-anyone-struggling-with-addiction-just-hang-on--for-more-than-ten-years-ive-been-powerless-but-theres-a-way-out-9876331.html



Peter Doherty in Paris, August 2017





I first met Peter in January or February 2003 during his first wave of success with The Libertines. He was sharing a Victorian terrace house 12a Teesdale st, off the Hackney road with Carl Barat and dubbed it The Albion Rooms. James Mullord who later managed Babyshambles or, more specifically Peter had been nagged by the diffident bard to bring him around to my Whitechapel flat where he'd heard Eleusian Mysteries were conducted on moonless nights. Its a chain, perhaps a daisy chain perhaps forged from bonds of steel that winds its way around us and I'd met James through Sarah Churchill, the singer with Cosmetique "Lady Di, Why did you die?" Too many mysteries are seldom a healthy thing and James was under orders not to appear at my front door more often than once a month. As a captain in the Royal Signals Regiment with two tours of Northern Ireland under his Sam Browne belt James was accomplished at taking orders and never bothered me much. He was nervous about introducing Peter to me and rightly so, I had sufficient experience in the dark arts to know for certain that I had no wish to be part of anybodies tragedy; James and I both recognised that Peter was a prospective rail crash - a slow train coming round the bend or rather I did, James had yet to encounter his own dark night of the soul, he had already used up his one visit of the month and Peter was yapping at his heels, figuratively fucking his leg like a randy Jack Russel for an introduction at the groves of Acadream.
I am three years old and I have been put to bed upstairs in the vicarage of st Paul's South Harrow, it is probably 1958 late in the year for it is growing dark and my two sisters are already also in their beds in the adjoining room. There is a restless air abroad, we have not settled and my father still young, bounds up the stairs to offer the first one asleep a three-penny bit. I can visualise the gilded gleam of the small octagonal coin and a similar glint from the gloaming light limning the rims of his gold framed spectacles. His almost black hair, bryll-creamed to tame crisp curls also shone, its edges yellow metal. "How will I claim the thruppenny bit if I am asleep, how will I know?" I wondered. My father the philosopher with customary humour had imparted an early lesson in the politics of theology along the lines of one's reward in heaven … after one is dead! How will I know? I wondered, then slept.
It is sometime in the noughties and I am lying supine along the couch - north / south axis in the Whitechapel flat. Perpendicular walls having been removed to allow increase space and light, there now were hardboard sheets tacked onto the remaining joists giving the space an arched shape redolent of the interior of a Nissen hut. Wrapped around me is a tartan wool travelling rug backed with dark brown sheepskin with a lighter brown border. It was once the property of local gangland boss and murderer Ronnie Kray. I knew this because Mick the Finder had brought it from outside a pub belonging to the twins' cousin and on the death of senior brother Reggie it had been removed to outside covering a stack of beer kegs. Subsequently a senior detective recognised it and confirmed its provanence. My life and metabolism are governed by biological imperatives, exterior glands, narcotic secretions from gangland. I lay in stasis, horizonkal, biding time, reptilian, conserving chemicals. I am entirely dependent on outside factors, the whims and desires and needs of a select group of others. A knock on the door. It is a life that is unlife, necrotime, hands crossed at my chest like a cold stone carved knight sleeping his sleep of ages, a corpse in its crypt, underground, beneath the churchyards soggy sod, under rich earth and bright green grass blades, my dusty cavern.
I imagine the whispering, faint despairing whining of the surrounding gossiping dead. This dread unceasing bickering and whimpering, low wretched incontinent muttering, indistinct accusatory utterances achingly and eternally vapid spite-filled jabbering. It will not stop this eternal recriminatory blizzard in which I am participant.
Starving in my garret was a key element in my career trajectory, I had read somewhere, I think Hans Christian Anderson that first one must starve and suffer sufficiently long then one will achieve greatness, that's all you have to to do. So I tried it. When I moved into my Whitechapel flat there was a mixed demographic and amongst my neighbours were the last remnants of the white East End dock-workers and their families, old villains, old villains' pubs. Silver-smithing students from the John Cass, anarchists, bright long sari lengths hung from the washing lines between the buildings. The buildings had originally been built around the beginning of the 20th century for the mainly Jewish population that occupied the area and they represented the best of late Victorian civic virtue; by todays standards they were palatial, generously proportioned rooms with plain simple cornicing and architraves, a fireplace in front and back in which stood an cast-iron stove and oven which would burn coal or wood. The brick chimneys running up at each end of the rooms acted as storage heaters, when fireplaces were boarded up in the fifties and sixties those old brick built dwellings began to die. The deep wainscoating and windows were made from a deep orange-pink Canadian Maple which had been so cheaply plentiful it had crossed the Atlantic as ballast in the ships returning from  delivering Birmingham's manufactured goods to the New World and the furs with which the ships were packed for the return trip were not sufficiently heavy to set them adequately in the water. When I moved into mine at 70 Myrdle street there were hazlenuts set in every corner by the departing hippy girl and what I thought was a piece of electric cable beneath layers of paint on the door frame. I set about scraping it off only to discover too late that it was a Jewish prayer scroll, to be touched and acnowledged on entering and leaving the room. A tightly rolled scroll of paper with dense minutely printed Hebrew script on it in a tin or lead tube.
A larcenous looking old Jewish boy looking like a 1920s silent film villain with a pencil moustache would come by and call every week with scraps of smoked salmon for sale and tubby Mr Rogg on Cannon st Road pickled and sold about half a dozen types of soused herring from his premises. He wore an Astrakhan hat and was rosy-cheeked stamping his feet in the cold shop to warm them, his breath condensing like smoke on freezing mornings, his window display a dazzlingly precarious ziggurat of Matso boxes. Across from his premises running into Rampart Street was a short road called Sly Street and in 1976 "Operation Julie" gained the distinction of becoming Britain's largest ever under-cover police operation as up to 300 officers dressed in loon pants and Afghan coats left no turn unstoned as they combed the country in search of a nefarious cabal of L.S.D chemists and distributors responsible for flooding the world market with high quality and high strength purple pyramids and green and black microdots, 150 - 250 mic trips of a quality and strength hitherto unknown in such consistent quality. Her Majesty was being embarrassed as exports and the balance of trade boomed. Quantities of 10,000 and more were turning up in Australia and turning on the inhabitants. Numbers at free festivals in the West Country swelled that year with unconvincing looking and acting hippies hogging spaces round camp-fires as they attempted to "blend in" to the rest of the population who by now were trading their blue denim flares for black gaberdine drainpipes and leather jackets, their E.L.O. albums for Iggy Pop 7" singles.
 A pair of Cambridge graduates were eventually collared by some overweight hairies begging to be given an antidote for their accidentally ingested light fantastic and back in Sly Street opposite Mr Rogg's soused herring shop, a building on the corner with Cannon Street Road was found to be warehousing such large quantities of lysergic acid that the building had to be dismantled brick by brick in case any was missed.

Please, please, please leave your comments: copies of the complete book, lavishly illustrated, ornately illuminated may be obtained direct from the author. Leave your email address and I will get back to you. Thank you.

Sunday, June 1, 2014

Cloud Hills studios, Hamburg

It's 1st of June 2014 and Peter is staying at a well appointed flat above the studio. There is everything here including 5 bedrooms, a large kitchen, plenty of light - even a magnificent original Bally Playboy pinball machine. Outside is the retro "Challenger" camping van in which he and his film-maker girlfriend tour Europe - last week it made short work of the trip from Barcelona at the cost only of the fuel and a tyre which his financial manager fixed this afternoon - valiantly changing the off side back wheel single handed.
The new solo album is taking shape here at Cloud Hills and will be distributed by Rough Trade.
Right now Peter is watching an old "Steptoe and Son" episode probably for the umpteenth time and laughing uproariously at Harry H Corbett and Wilfred Bramble bickering with each other about their holiday destination. "I want to go to Bognor"!
They don't write them like that any more!

Tuesday, May 20, 2014

"From Albion to Shangri-La - Journals and Tour Diaries 2008-2013" by Peter Doherty edited by author Nina Antonia to be published by Thin Man Press on July 1st.






a book of writing by PETER DOHERTY culled from his famous journals and edited by author Nina Antonia entitled "From Albion to Shangri-la Journals and tour diaries 2008-2013" is to be published by Thin Man Press on July 1st.
I was fortunate enough to obtain a pre-release copy and can assert that any fan who pays the £8.45 Kindle download price should not be disappointed.

Friday, December 27, 2013

seven deadly sins









                                 Doherty / Martin" at Camden Stables with his son Astile.




Saturday, June 8, 2013

DOHERTY SHOP OPENS WITH BUSINESS PARTNER

In keeping with Peter's love of all things to do with BBC light comedy of the 1960s his new venture downstairs at unit 49 of the Stables, Chalk Farm Road, is in a nod to Galt and Simpson's "Steptoe and Son" - "RAG AND BONE".  Constantly changing and full of fascinating treasures - it's alittle like stepping into the Bard's own front room and open to all 7 days a week.

Suzi Martin co-proprietor shmoozes an important client.

Message inna bottle from the bard

Rushing to Paris in his white van


Peter Doherty wants to offer you the opportunity to share his style and will open his emporium "RAG & BONE" AT UNIT 49 THE STABLES - CHALK FARM ROAD, CAMDEN, next week.
You will be able to buy art, fashion and furnishings so that you too can enjoy the style and aesthetic that is unmistakably associated with the bard of albion.  Peter has trawled the flea-markets of Paris to bring you the chaises-longue, candle sconces, paintings, furnishings etc that define his late-empire, opium-den aesthetic. You will be able to buy prints by Peter as well as original work by other artists.

watch this space ....

The Pari appartment





Tuesday, April 2, 2013

RECENT PETER DOHERTY PAINTINGS (and drawings) FOR SALE

For prices of these works and other enquiries please email <ayeayerobot@yahoo.co.uk>



"Shorn of my Infamy" de-stretched canvas,  blood, pencil, paint 86 x 66 cms 

Nude - So Beautiful, ink, cartridge paper,  29.5 x 21 cms




"I Really Want to Fuck Her" blood, paint, ink de-stretched canvas  66 x 86 cms

"Slap one Hand Down" (collaboration Doherty/Wolfe) blood + ink canvas board 50 x 50 cms


"Went at it like a Dog" blood, pencil and ink, canvas board, 20 x 16 cms

Monday, March 18, 2013

Sacked management travel to Paris in an attempt to regain control

In an attempt to wrest back control and a 40% share of his earnings the sacked duo have travelled to Paris and are attempting to win back control of the musician's career before tonight's celebratory "Albion Night" at Bus Palladium.

Peter Doherty is struggling to extricate himself from the management team

formerly known as "Lazy Eye" who have presided over a spectacular and devastating slump in the quality and quantity of his formerly phenomenal creative output. For reasons which remain unexplained the company was disbanded around a year ago with assets of just under a quarter of a million pounds . It is believed that the individuals concerned continue to extract 40% of revenues from his concerts

Peter Doherty has sacked the management team

Five years ago Peter Doherty's career was at a pinnacle of success - He had broken with his successful band The Libertines and achieved success a second time around with the appropriately named Babyshambles and again as a solo artist/musician.
He was dating the world's top Super Model Kate Moss, had somehow cracked the Art world with the storming triumph of his notorious blood-paintings. His confessional journals "THE BOOKS OF ALBION" was in the best-seller lists.
Even his short spells at Her Majesty's Pleasure had yielded the as-yet unpublished Prison Diaries and placed him in the wake of his heroes poets Paul Verlaine, Arthur Rimbaud and Jean Genet giving him a credibility as yet unmatched by any Rock n Roll or literary contemporaries.
In a relatively short career he had played a barnstorming set at Glastonbury and for many was the highlight of the festival. He had achieved the distinction of many of his records being banned by the BBC. A habitue of the world's top detox clinics and Crown courts he nonetheless was the darling of debutantes, aristocrats and Swindon crack dealers simultaneously. He resided in a nine bedroom 18th Century mansion in the depths of Wiltshire surrounded by vintage Jaguar cars up on bricks with their wheels missing and from this for his unfailing promotion and patronage of their high margin consumer products. grand property plotted assignations with the tender flowers of the landed gentry often within the very grounds of their exclusive boarding schools. He was the nightmare vision of head-mistresses up and down the land.
he managed the almost inconceivable feat of being darling of The Poetry Society, BBC 2 and Radio 4 producers, Crack dealers from HarlesdenCriminal gangs from Glasgow, Manchester and London clasped him to their very bosom. He occupies territories of almost inconceivable  unreconcilability. One might indeed deduce that the adoption of such perversely opposing principles as readership of the Times Literary Supplement and adornment on the side of his neck with the name of his eldest and beloved son Astile until one is reminded by his almost totemic adoption of rosary beads that he is of course a Roman Catholic.
Amongst this plethora of opposing qualities and achievements it is of course forgivable to be remiss of the information that he possesses in the  opinion of many otherwise sane individuals many fine and redeemable qualities. He is without doubt a prolific and gifted songwriter and poet with compositions such as fuck for ever, banned by the bbc yet thought gifted sufficiently to visit st peterberg as ambassador of the british council,. he has been known to quote unaided from memory entire passages fom James Joyces Ulysses At concerts wher the audience has been invited to engage in a stage invasion he has sanctified procedings with a recitation of the Lord's prayer. . His painting and drawing has convinced some who claim a knowledge of fine art to spend up to £35,000 on one of his canvases. The British press then did what they do best - they built him (and super waif Kate) up to an impossible height and then proceed to knock him right back down.

Peter Doherty plans to tour the United States and China after the release of his new album




Albion Night at Bus Palladium, Paris

There's a celebration happening tonight, Tuesday, 19th March at Bus Palladium in Paris ...

Peter celebrates his new management deal with a gala night at Bus Palladium



ALOHA FRIENDS,

si vous voulez être sur ma liste demain soir (entrée prioritaire) pour le concert de Pete Doherty et autres surprises au Bus Palladium....faites le moi savoir !

Love, stars, angels, babies, à demain ♥

(Photo © Pauline Darley & Maxime Stange : tous droits réservés à Corbis.)
 — with Bus Palladium Compte Bis andBus Palladium.

See Translation

Monday, February 25, 2013

V is for Victory ! New Management




Peter Doherty is under new Management here he celebrates with the ballerinas of Perpignan and Anais Duquesne of Bus Palladium, Paris.




Thursday, February 14, 2013

Great news from Paris

 Peter Doherty announced this evening on his website that he has terminated the seven year relationship with his management company who operated under the name "Lazy Eye".

Management of the unmanageable can never be an enviable task but back in 2006 Pete and Kate were an



fine-line black pen, felt tip - pink. 24.5 x 35 cms